About Asatru

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Asatru
as a Religion Asatru
is a serious, modern religion inspired by historical
knowledge of the past, but adapted to our current
conditions. It seeks to enhance the spiritual
connection of the past, present and future and to make
the Gods and Goddesses of our ancestors relevant to
daily life in today’s world. As a Godhi, you will
have the important responsibility of promoting Asatru
and helping people experience this spirituality by
following their ancestral religion. Asatru
is not a role-playing game. It is not a dress-up game.
It is not an opportunity to fantasize about being a
Viking or recreating a society that existed a thousand
years ago. We want to avoid make-believe weekend
Viking role-playing and rather bring a spiritual
vision and guidance leading our people to goodness and
prosperity in Midgard and to a communion with their
Gods, Goddesses and ancestors. Additionally, we are
preparing the way for future generations. These are
solemn tasks that require focus and seriousness. Asatru
is derived from a deep understanding of the practices
and beliefs of our ancestors. It is not just
"made up." There is a strong historical
basis for just about everything in Asatru. It has been
said that "Asatru is the religion with
homework" because there's so much to learn about
in rediscovering the spiritual ways of our ancestors.
To do this, we are learning about and reconstructing
past beliefs and practices and then adapting those
beliefs and practices Asatru
is not part of a larger "Pagan" religious
grouping which includes religions such as Wicca or
other foreign or eclectic paths.
We do not welcome their influences. Admittedly,
we have some of our modern origins with some of those
groups, but our values differ significantly. Whereas
they revel in universalist pantheism, as polytheists
we have set forth a path which reverently places our
own gods and goddesses at the forefront while leaving
foreign ways behind. Asatru is not a Universalist
religion. It does not seek universal salvation for all
human beings. What it seeks to do is help the
individual find meaning and spirituality in their gods
and goddesses in Asgard, their folk in Midgard and
their ancestral roots. Asatru
is a Folk or Ethnic religion; we believe that our Gods
and Goddesses have a special affection for us because
we are their descendents. We believe that our gods and
goddesses are our oldest ancestors, that our ancestry
is good, and that we must promote our unique and
special ancestral identity and culture into an
enduring future. Consequently, we believe that we have
a responsibility to promote a Folk existence, which is
more important than anything else in Midgard. Ethically,
Asatru holds high regard for both the individual and
ethnic folk. It is not a self-denying religion; we
want the But,
there are many ways of looking at Asatru as a
religion. We can compare and contrast it with other
religions. We can describe it as we see it today. We
can describe it as we’d like to see it. We can
describe it as it is practiced individually. We can
describe it as it’s practiced in groups. Looking at
it in these various ways will help us better
understand the many aspects of modern Asatru. ASATRU
AS AN ANCIENT RELIGION Without
doubt, Asatru has its roots in Europe’s earliest
history and beyond. The Gods and Goddesses that are
honored in Asatru are mentioned in the earliest
writings across the millennia. Asatru, as an ancient
religion, represents some of the earliest expressions
of religious thought in Northern Europe and is
probably as old as the Northern European branch of
humanity itself. Concepts of holy places, feasts and
sacrifices, the gods’ involvement in battle, land
spirits, ancestral chains, other worlds and the nature
and roles of the gods and goddesses have remained
similar across all of recorded time. Across
time and place, stories of Earth Gods (Vanir) and Sky
Gods (Aesir) have endured. Offerings to the Earth
Gods, for good harvest go as far back as we know.
Requesting the blessings from the Thunder God has also
been constant. Usage of such symbolism as the Fylfot
goes back to the Stone Age. However, despite that fact
that the Gods, Goddesses and practices of Asatru are
ancient, there were many regional variations and
emphases. Therefore, Asatru although ancient hasn’t
been static in time or place. ASATRU
AS AN INDIVIDUAL PRACTICE Asatru
can be practiced in groups or individually. As an
individual, we can commune with our ancestors,
meditate on the runes, and pray for blessings from
particular gods or goddesses. One can seek
self-empowerment, self-realization and blessings in
life by directly communing with these gods, goddesses,
ancestors and other powers of nature. One can also
celebrate our holy days without others, privately in
ones home. ASATRU
AS A GROUP PRACTICE As
a group practice, we can explore how people interact
as well as the kinds of enduring social structures
that people develop. Asatru provides many
opportunities for group practices. The two most common
rituals, the blot and the sumbel, are group rituals.
Lore study groups are another way that people involve
themselves in group activity. Many Asatru
practitioners also belong to one or more of the
several national or local organizations of various
sizes. Asatru
is experienced as a group activity through its many
festivals and gatherings. For some, group practice is
paramount. In this way, identity and solidarity is
developed while Asatru’s religious values are
expressed between the participants. By participating
in these group activities, the religion becomes a
living community and communal experience. Some
of the enduring social structures of Asatru are known
as hearths, garths, kindreds, steads, sippe, skeppslag
or tribe. With the exception of the word tribe, these
groupings are composed of maybe up to two dozens
individuals who pledge to each other certain
obligations to practice, participate in and promote
the religion together. ASATRU
AS A FOLK RELIGION There
are many traditions and practices that have been
passed down through the generations and have survived
attempts to eliminate them. Almost all of mainstream
American festivals and holidays have their origins in
pre-Christian Europe. Such things as Easter Eggs, Yule
Trees and their decorations, celebration behaviors,
adornment symbolism and other practices represent
cultural patterns passed down through the generations
from before Christianity dominated Europe. Marriage
ceremonies, maritime practices, time-keeping practices
and calendars all represent a continued cultural
outlook, which has been passed between the
generations. Whereas
these practices have been downplayed in the
non-Asatruar sectors of American society, Asatruar
have embraced them for what they are: surviving folk
religion and cultural practices and beliefs. As
a folk religion, Asatru adherents see themselves as
promoting these surviving traditional values, cultural
ideas and practices into the present day and into the
future. ASATRU
AS AN ETHNICITY For
some, Asatru has come to take on an entire ethnic
identity. We have come to see ourselves as a unique
ethnic/national element in the world like many other
ethnicities. This identity is based on a number of
common identity factors such as common religion,
societal values and ideals, common historical origins,
descent, mythology, folklore and literature, common
language, cultural symbolism and conceptual encoding.
These things provide a powerful and unique identity
among Asatru’s followers. As a product of these
commonalities a growing sense of people-hood has
arisen among many Asatruar. This is the essence of
Folkish Asatru. Among Folkish Asatruar, this is seen
not only as empirically obvious, but an ideal which is
to be promoted. To Folkish Asatruar, their ethnicity
is deeply tied to belongingness based on religion,
culture and ancestry. ASATRU
AS AN ETHNIC RELIGION An
ethnic religion is generally meant to be a religion,
spirituality, and cosmology that is firmly grounded in
a particular people's traditions and unique cultural
views. It represents a religion that co-developed with
a particular ethnic group. In this way, particular
ethnic groups can carry their religion with them
through time. In
other ways, ethnic religions are wrapped around ethnic
groups so that they become justifications and
explanations for that folk’s ethnic existence. By
providing a common cultural outlook among a folk, an
ethnic religion builds and reinforces the distinctions
of that people from others as they interact with
outsiders who don’t share those views. An ethnic
religion embodies the ethnic identity of a particular
folk. In this way, ethnic religions sustain and
promote the ethnic identity and the culture of a
people. Asatru,
most especially, Folkish Asatru, is an ethnic
religion. It has developed among the Northern peoples
of Europe and expresses their unique cultural outlooks
that developed throughout the millennia. It does not
offer a universalizing worldview applicable to all
peoples. Its stories and sagas are geographically
limited to Northern Europe. Stories of ice and snow
goddesses make little sense to people who’ve never
experienced ice and snow. Asatru, as an ethnic
religion, embodies the unique outlooks, ideals,
behavior patterns and values of the Nordic and
Germanic peoples of Europe as they developed through
history. It developed as they developed and speaks of
their unique spiritual way of seeing and explaining
the universe. ASATRU
AS A CULTURAL WAY There
are many who bask in the glory of modernism. A
viewpoint where anything old is outdated and anything
new is better. Among modernists, it is sufficient to
explain an idea as old to label it as bad. These
people seek to become empty slates, which are
continually rewritten as new goals, and ideals are
offered them. However,
there are many of who hold that culture, as an
enduring set of viewpoints that develop and meet the
tests of time, offers many solutions to life that can
not be answered in any other way. To many, Asatru
represents the wisdom of an ancient culture, which can
be applied to solving personal, ethnic, and social
issues. These cultural patterns also become blueprints
for directions for a society to develop. ASATRU
AS AN ATHEISTIC CULTURAL VIEW Although
it is automatic to equate gods and goddesses with
Asatru, there are small numbers of practitioners of
Asatru who do not believe in them as actual and living
beings. These people do not believe in our Gods and
Goddesses as real manifestations in our universe yet
still practice Asatru as a strong historical and
cultural pattern demanding continuation. They see the
values and rituals as vital and worthy because they
represent enduring cultural patterns from their
European heritage. ASATRU
AS A CONTINUED CIVILIZATION For
some, it is believed that although it is a religion,
Asatru also represents the resurgent civilization of
Nordic Europeans. In many ways, Western civilization
has emphasized its Judaic, Greek and Roman cultural
ideals while downplaying Nordic civilization’s
ideals and influences. But the Nordic peoples have
their own sophistications and ways which were laid
aside. Some view Asatru and the extended culture
around it as representing a re-assertion of the ideals
and patterns of pre-Christian Nordic Europe. In this
way, as Asatru develops, it develops a resurgent
society and civilization which will grow through time. ASATRU
AS A NATURE RELIGION With
the Vanic family of gods and goddesses, Asatru has a
very strong nature religion component. In this case,
the cycles and patterns of nature are deified,
ritualized and sanctified. Such things as wights, or
local nature spirits, represent another core of Asatru
as a nature religion. Many of the gods and goddesses
have direct correlations with forces and patterns of
nature. In
this way, forces of nature, including human nature,
are things that are to be accepted and coexisted with.
Since there are wights and spirits in local areas, one
must work with and seek the approval of these spirits
if one is to be prosperous and successful. Often, the
nature deities are called upon to provide prosperous
harvests and animal fecundity. ASATRU
AS A WARRIOR RELIGION Asatru
also has strong warrior ethics embodied in it. Nearly
all of the gods and goddesses have battle
proficiencies of one sort or another. Ancient warriors
called upon these war gods and goddesses to bless them
in their battles. Odin,
sitting on Hlidskialf, proficient with the spear,
magic and deception, represented intelligence warfare.
Thor and his mighty Mjolnir represented fierce
hand-to-hand combat. Many of the goddesses also
exhibited martial virtues. Frigga also shared
Hlidskialf with Odin and was proficient in magic and
deception. Freya garnered half of the fallen warriors
to take back to her hall. The Valkyries,
women warriors serving Odin, were known as fierce
fighters as well. Without doubt, Asatru embodies a
strong warrior ethic. Perhaps
most obvious of Asatru’s warrior spirit is embodied
in one of its most recognized and used symbols: the
hammer. The hammer represents Thor’s Mjollnir with
which he smites the foes of the Aesir and Vanir. This
symbol is almost universally recognized as Asatru’s
symbol and shows that Asatru sees conflict as a key
theme of the universe and being prepared for it and
dealing with it are central obligations. ASATRU
AS ANCESTOR WORSHIP Asatru
has a deep ancestor worship component as well. In the
most basic way, our gods and goddesses are seen as our
most distant ancestors, whom we revere and retell the
old tales about. The spirits of our ancestors are
revered and are believed to watch over us and involve
themselves in our lives. By making blot to these
spirits, we recognize their commitments to us and
thank them for their blessings. ASATRU
AS A SOCIAL MOVEMENT To
some degree, Asatru represents dissatisfaction with
the meaningless and lack of spirituality offered us by
mainstream society. In this way, Asatru can be seen as
a social movement seeking increased ethnic identity,
spirituality, and meaning in our lives. Whereas
greater society seeks to impose a universalism where
our own cultural and religious identities are seen as
meaningless, adherents of Asatru reject those views by
embracing the religion of their ancestors and making
it a meaningful presence in their lives today. There’s
no doubt that Asatru saw a resurgence as a romantic
movement through the 1960’s and 1970’s, but
contemporary Asatru, although embracing many aspects
of romanticism, has sought to be a practical,
spiritual and visionary statement about where our
lives should be and where they should go. We are
seeing ourselves become better organized and mobilized
as a religious movement. ASATRU
AS A MODER Asatru
also has a strong romantic aspect to it. There are
many who elevate the culture of the past, the
symbolism of the Vikings or patterns of past
agricultural lifestyles as paradigms to copy and
re-experience. Many of the aesthetic practices
developed throughout the generations are recreated and
made relevant to today. Whether
recreating the folklore of the past, practicing the
crafts of our ancestors, or recreating the dress and
manner of our ancestors the common thread is
romanticizing of that past culture and art. Although
its easy to downplay the importance of these
activities, they can be strong identity-developing
undertakings which emphasize our unique cultural past
and make it a guide for tomorrow. These activities
sanctify our culture and religion and make us separate
from those who don’t value them in the same way that
we do. These activities raise our culture, art and
folkways from the mundane to the spiritual. ASATRU
AS A PHILOSOPHY Classical
philosophy generally recognizes there being several
significant ways of organizing what we know about
things: an ethic, defining how one should live; a
metaphysics, which defines the nature of the universe,
its components and their interactions; an
epistemology, which describes what counts as genuine
knowledge; and a logic, which provides principles
about how to reason about the things we know. Finally,
an aesthetic defines rules for preferred forms and
perceptions. Modern Asatru includes each of these
components. There
are definite ethical aspects of Asatru which describe
how we should live as individuals and together. There
are many enduring views in Asatru about how we should
interact with our gods, goddesses, ancestors, the landvaettir,
fellow folk members and outsiders for our own good and
for the good of the folk. Embedded in Asatru is a
unique metaphysics describing the nature of the
universe, who we are, the nature of things in the
universe, and
how they are all causally linked. This metaphysics is
millennia old and describes a universe very different
from that described by other religions. Given, the
metaphysics of Asatru’s universe, we also encounter
a unique epistemology. This describes how we can know
things about the universe and ourselves. A unique
logic also exists to describe how we can think about
these things. Finally, Asatru has a unique aesthetic
descended from a mix of the principles expressed in
our historical art forms combined with a mix of modern
romanticism and practicality. ASATRU
AS A COSMOLOGY Asatru
has a unique and advanced view of the universe, which
has developed over the millennia. This cosmology
details a universe of Nine Worlds tied together by
Yggdrasil and it details how all things interact
within and between these realms and through time. This
universe is rarely harmonious and these cosmological
tensions define the interactions of gods and human
alike. In this universe, numerous independent agents
interact, sometimes in conflict, sometimes in harmony,
to create all the manifestations and events we see.
Understanding and working with this cosmology will
help you understand the various rituals and practices
of our way. Understanding this cosmology will also
help you understand the evolution of the universe, its
cycles and its ultimate destiny. ASATRU
AS A MAGICAL WAY Although
Asatru is a practical folk religion, it does include
strong elements of magical or mystery elements. These
practices are not necessary for the practice of
Asatru, but some aspects, such as runes, are used
often. The Ynglinga
Saga details many of these capabilities that Odin
expressed in his magic. Many in Asatru use the runes
as divinational and meditational tools. Seith is
practiced by some, as is galdr. ASATRU
AS A SPIRITUAL WAY Spirituality
arises from our knowledge of our self and the universe
and our place in the universe while attaining a
comfort with this reality. It is the feeling one gets
as one sees meaningful patterns, completeness and
purpose in ones life and actions. Asatru,
with its many different facets offers a strongly
spiritual way. It can bring meaning and significance
to our life through its lore and rituals. From these,
we gain realizations about and experience enduring
patterns of time. We gain better understanding of
ourselves by understanding these cycles of time and
through knowing the intergenerational realities of
ancestry and folk. As we venerate and accept these
cycles of life we see purpose in our existence. As we
understand ancestral and folk patterns, we come to
understand that we have a place and a role in time. The
seriousness and reverence of our rituals and
ceremonies can be strong tools in helping us
experience our spirituality. Whether through our own
runic meditations, community blots, observing the
growth of the young, studying our cosmology and
psychology or through a myriad other activities, we
gain deeper understanding of the enduring patterns in
the universe and bring about a spiritual peace. In
this way, as we study the lore, ourselves, and
understand our role in Asatru, we come to know the
nature of the universe and find deep meaning in the
center of our soul. ASATRU
AS A LIFE-EMBRACING RELIGION One
characteristic of many other religions is the fact
that they see life on Earth as messy and something to
get away from. Christians reject their Earthly life as
base and full of evil and temptation to be avoided;
buddhist seek to get off the wheel of life once and
for all. The key activity in most of these religions
is the rejection of enjoyment in life while preparing
ones soul for the afterlife. Often, one sacrifices in
this life for ensuring a better afterlife.
In this way, they are life rejecting. Asatru
is not life-rejecting; it does not say that our life
is base. Rather we embrace life, its triumphs, trials
and conflicts and see that a person who meets all of
these things in high spirits is truly worthy and
deserves reverence. We don’t think that weakness is
better than strength. We do believe that success and
victory in life are worthy things to strive for. We
are not born into a life of sin which we must
overcome; rather, we are descendents of gods who can
achieve great things with our lives if we but set our
mind and will to do so. In this way, Asatru is life
embracing. ASATRU
AS A MODERN RELIGION Despite
its historical origins, Asatru is a modern religion.
Its modern practice is a product of resurgence through
the late 1960’s and early 1970’s. As a modern
religion, it seeks to inform and guide us in our
modern, daily lives. It provides a vision of
spirituality, community and identity that is relevant
to today. It seeks connection to our ancestors, gods
and goddesses. It embraces the concept of culture as
people embodied wisdom and seeks to improve our lives
today by giving us ideals to strive for. Whether it is
described as a reconstruction or a reinvention or a
rediscovery of our ancestors’ religious and folk
views, it is modern and adapted to the world today.
Its ethics provides lessons that a just as relevant
today and tomorrow as they were through the millennia.
It is embodied in a rapidly growing community
wherever Northern Europeans are found. As
a modern religion we are adapting our practices to
face the realities of life in a more crowded world. If
Asatru is said to have a mission in Midgard, it is to
help the Folk live in peace with the Holy Spirits, and
to help us thrive and grow, to have the greatest
degree of self-identity, self-respect, strength and
self-determination in the world today. Its mission is
to keep alive the beliefs and ideals which have kept
our Folk alive through the ages. Asatru, as a modern
religion, is about life. Author: Ed LeBouthillier |
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